Home | Artist Contracts & Artist Rights | Discussion 1 | Gentrification & Public Art | Discussion 2 | Park Chaneung Interview | Woon-Gi Min Interview
 Art&Market   There is no art without consequences*

Art Contracts & Artist's Rights

We constantly, in this part of the world, complain that there is no [art]market. I think that's good because when it comes it won't be exactly what we have imagined.
Dan & Lia Perjovschi
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Art Contracts & Artist's Rights - Discussion

As a photographer speaking in terms of photography - these days, it is kind of funny having this conversation because ...
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Gentrification & Public Art

By the very structure of [museums] existence, it is a political institution. (…) The question of private or public funding of the institution does not affect this axiom. (…) In principle, the decisions of museum oficials, ideologically highly determined or receptive to the deviations of the norm, follow the boundaries set by their employers. These boundaries need not to be expressly stated in order to be operative. * Hans Hacke - All the art that's fit to show
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Gentrification & Public Art Discussion

These projects have been around for several years and had motivated creation of new alternative spaces. Now there exist around twenty to twenty-five alternative spaces, and what we're seeing with this development is that these alternative spaces have blended in with the communities and with it's own localities, and have also contributed to the development of the culture of these communities.
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Park Chaneung Interview

But I don't want Seoksu to be a popular place. I don't want Seoksu to be gentri∫ed. I want it to develop slowly, step by step, and mix the past and the future. I don't invite artists to make it more expensive. My dream is to convert the central space of the market into a place where the citizens can come and enjoy arts, and to make a harmonious relationship between citizens and artists. I thought that, if the government gives me the chance, I could make my dream come true.
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Woon-Gi Min Interview

I think artists' activities should be aimed toward these matters, like the New Town Plan, which are threatening people and their lives. But art is now mostly used to advertise the city's policy more than solving citizens' real problems.
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Contact information

iva.kovach[at]gmail.com
elviskrstulovic[at]gmail.com

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About the artists:

Elvis Krstulović (17/06/'82 Rijeka, Croatia) is a visual artist. In 2005 he spent a semester at Indiana University of Pennsylvania, USA. In 2007 he graduated from the Academy of Fine Arts in Zagreb. His work ranges from performance, text, photography, installation, publications to drawing and painting. With his new works he constructs narration by intervening in specific places/contexts.

Iva Kovač (01/01/'83, Split, Croatia) is a visual artist. In 2005 she spent a semester at Indiana University of Pennsylvania, USA. During her studies she, among other, participated at the Peggy Guggenheim internship program in Venice (Italy), at the Summer Academy Salzburg in the workshop led by Dan and Lia Perjovschi and in the experimental curatorial program Curatorial Platform in Zagreb. In her work she uses different mediums with an emphasis on performative and textual interventions.

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